BWW Review: THE DA VINCI CODE

So many adore The Da Vinci Code (excluding those who claim it’s badly written and historically inaccurate), I thought the theatre version would be a dead cert. Read my full Broadway World review here

BWW Interview: ‘I’m a Complete Perfectionist’: Rowan Armitt-Brewster on mime, puppets and slapstick in his first play, A BRIEF CASE OF CRAZY, Riverside Studios

Writer, director, producer and performer Rowan Armitt-Brewster on how classic slapstick looks easy – but it isn’t. Read my full Broadway World interview here

BWW Review: A BRIEF CASE OF CRAZY, Riverside Studios

A Brief Case of Crazy is quite the ride – a mash-up of comedy, mime, slapstick, romance, puppetry, dance and object manipulation. Read my full Broadway World review here

BWW Review: MACBETH cinema screening, Donmar Warehouse

David Tennant and Cush Jumbo lead a first-rate cast in a raw, visceral, brutal and ultimately hopeful show filmed live at the Donmar Warehouse in London. Read my full BWW review here

BWW Review of the year 2024: Critic’s Choice

Here are some of my favourite picks from the past year – and what I’d like to see in 2025. Read my BroadwayWorld article here

BWW Review: SUMMER 1954, Theatre Royal Bath

Sian Phillips is superb in a new pairing of Terence Rattigan’s one-act plays at Theatre Royal Bath. Read my full Broadway World review here

BWW Review: THE WILD DUCK, The Coronet Theatre, London

Fresh new version of Henrik Ibsen’s masterpiece The Wild Duck performed by a talented troupe of Norwegian actors. Read my full Broadway World review here

BWW Review: THE REST IS HISTORY: MOZART AND BEETHOVEN, Royal Albert Hall

First live history podcast featuring orchestra and chorus, presented by The Rest of History “rock stars” Tom Holland and Dominic Sandbrook. Read my full Broadway World review here

BWW Review: STONES IN HIS POCKETS, Salisbury Playhouse

The Irish are renowned for good story telling, In a long line of cracking good tales, you couldn’t get much better than the new immersive revival of Marie Jones’ tragicomedy Stones in His Pockets. Read my full Broadway World review here