Talented Sophie Lenglinger manages to pull off the fiendishly difficult task of performing a one-woman show. Read my full Broadway World review here
BWW Review: KÄTZCHEN, Riverside Studios
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Tag Archives: Riverside Studios
BWW Review: FLUXORAMA, Riverside Studios
A bold attempt to deal with life and death in three monologues about life and death, part of Riverside Studios’ Bitesize Festival. Read my full Broadway World review here
BWW Review: RON, Riverside Studios
Ted Walliker’s a rising star and his highly original performance should not be missed. Read my full Broadway World review here
BWW Review: HEARTSINK, Riverside Studios
Heartsink, a bittersweet medical comedy by Unequal Productions, premiering at Riverside Studios, is a little gem. Read my full Broadway World review here
BWW Review: DIAL 1 FOR UK, Riverside Studios
Engaging Mohit Mathur in his witty and poignant one-man play about migrating to London from India. Read my full Broadway World review here
BWW Review: THREE BILLION LETTERS, Riverside Studios
Science-meets-art in new work about DNA and genetics more failed experiment than dramatic success. Read my full Broadway World article here
BWW Review: TENDING, Riverside Studios
Writer El Blackwood’s Tending, produced by Another Theatre, is a three-hander based on more than 700 verbatim interviews with NHS nurses over a two-year period. Read my full Broadway World review here
BWW Interview: ‘I’m a Complete Perfectionist’: Rowan Armitt-Brewster on mime, puppets and slapstick in his first play, A BRIEF CASE OF CRAZY, Riverside Studios
Writer, director, producer and performer Rowan Armitt-Brewster on how classic slapstick looks easy – but it isn’t. Read my full Broadway World interview here
BWW Review: A BRIEF CASE OF CRAZY, Riverside Studios
A Brief Case of Crazy is quite the ride – a mash-up of comedy, mime, slapstick, romance, puppetry, dance and object manipulation. Read my full Broadway World review here
BWW Review of the year 2024: Critic’s Choice
Here are some of my favourite picks from the past year – and what I’d like to see in 2025. Read my BroadwayWorld article here
Cheryl Markosky 