Combine hip-hop, Bach, the Orchestra of the Age of Enlightenment, street dancing kids from Acland Burghley comprehensive and innovative choreographer Kim Brandstrup – and you get an exciting and heart-warming production. Read my full Broadway World review here
This reliable retelling of Little Women is warm and good-hearted. Read my full Broadway World review here
A tasty unanticipated treat, these potent and entertaining dream ballets are delights to be lovingly unwrapped and enjoyed. Read my full Broadway World review here
What could be more pleasing than an evening of extracts from George Eliot’s diaries and novels read by Hermione Norris (Cold Feet, Spooks, The Salt Path) and actor/singer/songwriter SuRie? Read my full Broadway World review here
Simon Russell Beale is superb in the Royal Shakespeare Company’s excellent new revival of Shakespeare’s bloodiest play. Read my full Broadway World review here
Former Donmar Warehouse artistic director Michael Longhurst swaps war for Italian football in a new, exuberant Royal Shakespeare Theatre adaptation of Much Ado About Nothing. Read my full Broadway World review here
Writer El Blackwood’s Tending, produced by Another Theatre, is a three-hander based on more than 700 verbatim interviews with NHS nurses over a two-year period. Read my full Broadway World review here
So many adore The Da Vinci Code (excluding those who claim it’s badly written and historically inaccurate), I thought the theatre version would be a dead cert. Read my full Broadway World review here
Writer, director, producer and performer Rowan Armitt-Brewster on how classic slapstick looks easy – but it isn’t. Read my full Broadway World interview here
A Brief Case of Crazy is quite the ride – a mash-up of comedy, mime, slapstick, romance, puppetry, dance and object manipulation. Read my full Broadway World review here
Cheryl Markosky 