BWW Review: WENDY & PETER PAN, Barbican Centre

Girls rule ok in Ella Hickson’s enchanting revival of the Darling children’s “second star to the right and then straight on until morning” journey to Neverland showing at the Barbican for a five-week run. Read my full Broadway World review here

BWW Review: THE CONSTANT WIFE, Royal Shakespeare Theatre

The Constant Wife, starring Rose Leslie, gets a witty RSC revamp by Laura Wade, who adapted Jilly Cooper’s Rivals. Read my full Broadway World review here

BWW Review: TITUS ANDRONICUS, Royal Shakespeare Theatre

Simon Russell Beale is superb in the Royal Shakespeare Company’s excellent new revival of Shakespeare’s bloodiest play. Read my full Broadway World review here

BWW Review: MUCH ADO ABOUT NOTHING, Royal Shakespeare Theatre

Former Donmar Warehouse artistic director Michael Longhurst swaps war for Italian football in a new, exuberant Royal Shakespeare Theatre adaptation of Much Ado About NothingRead my full Broadway World review here

BWW Review: THE EMPRESS, Lyric Hammersmith

There are meaty themes, humour and insight in this Royal Shakespeare Company production, but somehow Tanika Gupta’s script doesn’t quite take off. Read my full Broadway World review here

Home of the Week

From Death on the Nile to life on the Thames: David Suchet’s riverside flat. Read my article in The Times here