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Cheryl Markosky

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Tag Archives: Summer 1954

BWW Review of the year 2024: Critic’s Choice

Posted on December 24, 2024 by cherylmarkosky

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Here are some of my favourite picks from the past year – and what I’d like to see in 2025. Read my BroadwayWorld article here

Posted in Reviews | Tagged 2024, a chorus line, adam cooper, Alan Bennett, Ashley Christmas, best, best shows 2024, Broadway World, Bush Theatre, come from away, comedy, cubic theatre, Deborah Warner, ed kleban, Emily Jupp, Faith Omole, Gerard McCabe, gillian lynne theatre, Graham Eatough, Harold Pinter, Harry Beck, harry burden, hello dolly, Imelda Staunton, Jane Horrocks, juno and the paycock, Lewis Cornay, london palladium, Marie Jones, mark rylance, Matthew McElhinney, matthew warchus, Menier Chocolate Factory, musical, my fathers fable, Omnibus Theatre, Paul Higgins, play, Rakie Ayola, ralph fiennes, Richard Jones, Riverside Studios, sadlers wells, Salisbury Playhouse, Sean Linnen, Shaun Blaney, Sian Phillips, Simon Russell Beale, Stones In His Pockets, Summer 1954, Table Number Seven, Terence Rattigan, terry hinde, The Birthday Party, The Browning Version, the cabinet minister, The History Boys, The Truth About Harry Beck, theatre, Theatre Royal Bath, This Is Memorial Device, Ustinov studio, Victoria Yeates, West End, Wormholes | Leave a reply

BWW Review: SUMMER 1954, Theatre Royal Bath

Posted on November 1, 2024 by cherylmarkosky

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Sian Phillips is superb in a new pairing of Terence Rattigan’s one-act plays at Theatre Royal Bath. Read my full Broadway World review here

Posted in Reviews | Tagged Alexandra Dowling, Angry Young Men, Bertie Hawes, James Dacre, Living Theatre Productions, Lolita Chakrabarti, Manuel Harlan, Mike Britton, Nathaniel Parker, Sian Phillips, Simon Coates, Summer 1954, Table Number Seven, Terence Rattigan], The Browning Version, Theatre Royal Bath | Leave a reply

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